Kevin is a Scottish-Filipino composer of experimental music based in Glasgow. He is interested in liminality, identity, silence, fragility, perception, approaches to listening, and non-standard notation. He is also interested in exploring notions of cross-cultural composition.
Kevin is currently completing a practice research PhD in composition at the University of Glasgow, where he has taught on a number of courses including: Composition in the Classroom, Orchestration, Practical Instrumentation Scoring and Musicianship, and Musical Culture in the Long Nineteenth Century. Kevin is particularly interested in attempting to decolonise Music within the neoliberal context of Higher Education.
Kevin is passionate about education and has delivered projects for Chamber Music Scotland, Sound Festival, and Scottish Young Composers Project.
Kevin manages Sound Thought, a postgraduate-run series which aims to promote the practice and research of postgraduates, recent graduates, and emerging artists working in sound and music.